Imelda Connolly, who is chairperson of the Irish Woodturners Guild, with her work at the opening of Design & Crafts Council Ireland (DCCI) Irish Woodturners Guild (IWG) Turning Turns 40 exhibition at the DCCI National Design & Craft Gallery in Castle Yard, Co Kilkenny. PhotO; Finbarr O’Rourke

40 pieces for 40 years

Exhibition to mark four decades or Irish Woodturners Guild

‘Turning Turns 40’, an exhibition to celebrate the 40th anniversary of the Irish Woodturners Guild (IWG), is currently running at the National Design & Craft Gallery in Kilkenny.

Running until Wednesday, 27th July, the exhibition features 40 exceptionally turned wood forms that demonstrate excellence in craftsmanship and design,including Imelda Connolly from Meath. The exhibition has travelled from The Hunt Museum in Limerick to DCCI’s National Design & Craft Gallery in Kilkenny until Wednesday, 27th July. It will then exhibit in other venues including Leitrim Design House in Leitrim, The RDS in Ballsbridge in Dublin 4, and Craft NI Gallery in Belfast, later in the year.

The idea for the exhibition, ‘Turning Turns 40’, is attributed to the president of the Irish Woodturners Guild, Emmet Kane, who proposed the challenge of creating a wood turned form to the scale of 15cm3.

It was from this initial idea that the challenge was passed to all IWG members, who were required to work from a uniform sized block of ash, which presents a set of its own technical and design challenges. Over 360 cubes of ash were distributed, from which, 40 final pieces were selected by an independent judging panel comprising woodturners Stephen O’Connell (Ireland), Barbara Dill (USA) and Ulf Jasson (Sweden).

The curated exhibition demonstrates the individual creativity and woodturning expertise of members, as well as highlighting the critical issue that affects Ireland’s native ash tree - ash dieback disease. This disease was first detected in Ireland in 2012. Over the next 20 years, Ireland’s native ash tree will more than likely become extinct due to this disease. In celebrating the IWG anniversary, this exhibition also commemorates the offering and history that the mighty ash has provided to the Irish landscape through this lasting collection of native ash crafted works of art.

Opening the exhibition, Tánaiste, Micheál Martin said: “The skill and dedication of the woodturners are evident in each piece, reflecting a deep respect for our natural heritage and a commitment to the art of woodturning. The exhibition is a testament to the creativity and resilience of the Irish craft community and I encourage the general public to come and visit the National Design & Craft Gallery.”

Sarah Ross, curator, said: “The opportunity to curate the IWG 40th anniversary exhibition, 'Turning Turns 40,' has been a most enjoyable experience.

It is an honour to share the woodturners' passion for their craft and the beauty of the natural materials they use to create the exquisitely turned forms that are on display. Bringing together these finely crafted sculptural and functional forms, we are reminded of the vulnerability of our natural world.

The sense of community that the Guild embodies demonstrates the power of like-minded people to highlight the devastating effect of ash dieback disease. Furthermore, it is this community that fosters the sharing of skills and knowledge, ensuring the art of woodturning does not die. I wish the Irish Woodturners' Guild every success, carrying on the traditions and future innovations in the art of woodturning. The support of the Design & Crafts Council has been instrumental in facilitating this exhibition and celebration.”

Emmet Kane, President of the IWG commented: "This milestone not only honours the vision and dedication of our founders back in 1983 but also showcases the incredible talent and creativity of our current members.

This exhibition is a tribute to the craft of woodturning and the enduring legacy of those who paved the way. The pieces on display, created from native ash, highlight both the beauty of this versatile material and the critical issue of ash dieback disease. I am deeply grateful to everyone who contributed to this project, especially the TT40 committee, our judges, and the many members who took on the challenge with such creativity and skill.

As we look to the future, we remain committed to fostering the art of woodturning and supporting our members in their pursuit of excellence. Thank you for joining us in celebrating this significant anniversary and the remarkable work of the Irish Woodturners Guild."